Swanner: On Halloween 1978, a young man named Michael Myers killed three people and terrorized a town until he was caught and put in a mental institution. After 40 years, Michael Myers escapes and makes his way back to Haddonfield Illinois to find his sister Laurie who still resides there. Laurie Strode does not live, she waits. She waits for Michael’s return so she can kill him once and for all. The Boogieman has no idea what waits for him.

Judd: The movie discards all previous sequels and is directly related to the first movie. The idea that Laurie is Michael’s sister is discarded as a myth, and Michael is nothing more than a brutal killer with a singular fixation.  The movie offers many nods to the original, with some callbacks that are obvious, and some not so obvious. All in all, it met my expectations.

Swanner: It met my expectations too. It was nice that they not only brought back Jamie Lee Curtis, but they also brought back Will Patton who was one of the cops that captured Michael originally. The film also takes a different approach. In the other film Michael is the hunter and everyone else is the prey. Here, Laurie has been waiting 40 years for him to come back and she’s ready. My biggest worry going in was that director David Gordon Green and writer Danny McBride and Jeff Fradley were all part of the team that brought “Your Highness” to the big screen. Thankfully my worries were for nothing.

Judd: Jamie Lee Curtis was fantastic, and I liked the way the movie played with the idea that Laurie is a paranoid agoraphobe. Of course, the audience knows all along that she has every right to be paranoid. I also thought it was interesting that Toby Huss and Judy Greer have major roles in the movie, considering that both of them are known more for their comedic chops and animation voiceover work.

Swanner: I was glad to see they made an R rated slasher film. It’s been sad to see the genre go PG-13 over the years. Let’s hope the success of this film will show studios that horror films should be rated R, you can’t have a guy with a butcher knife, killing people off screen with no blood and expect the genre not to suffer. It was nice to be scared again.

Judd: Agreed. Halloween has the same feel and pace, which may be a little slow for today’s audience’s, but the body count is higher to make up for it. Add its John Carpenter’s themes and trademark synth work, and you have a sequel that is worthy of, and just as good as the original.

Swanner: 3 ½ stars

Judd: 3 ½ stars

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